Here lies memory. I guess it has to be buried somewhere, and where better than in a photograph.
Read MoreBucket Week - Day Five
Confusion and mystery are great motivators.
Read MoreBucket Week - Day Four
Downtown in winter.
This week in honor of the city of my residence and my daughter's home town, I will be featuring Pawtucket, Rhode Island, aka the 'Bucket'.
Today's pair represents something that I rarely do, which is to say something that I do all the time. That is take multiple, slightly different views at one location. I do that often, what I usually don't do is promote more than one view as the work goes forward. Normally I will make a choice, or feel the choice has been made for me, one is usually clearly the "best", or the best I could do. With these I've continued to like both variants. Although I don't remember I believe they are shown here in the order I made them. I framed up the first and then moved forward for the second. I think the shadows agree with that. There is one thing here that shows something that I do rarely do: photograph snow. My guess is this is late winter. Made with a 4x5 camera on Tri-X film.
Bucket Week - Day Three
In Oak Grove.
This week in honor of the city of my residence and my daughter's home town, I will be featuring Pawtucket, Rhode Island, aka the 'Bucket'.
Some people are put off by pictures of cemeteries. Some people are put off by cemeteries in general. Not me. I find they are great places to explore, full of interesting names and fragments of interesting stories. They are usually relaxing places to photograph in as well. No traffic, often no people at all (above ground anyway) so you can mess about with your gear and not feel stressed. There are exceptions. Swan Point in Providence has a strict policy regarding photography and they will chase you out. Hasn't stopped me though, you just need to be quick(ish). In cemeteries within urban environments I find I'm drawn to the ways that the city of the living relates visually to the city of the dead, how the streets line up or how a row of headstones is echoed by a row of houses. This is very likely something else that Walker Evans has taught us to see. These two photographs are almost back to back from each other. I love the detail of the little lamb (a child's grave) in the lower right of the second image. These were made with a 4x5 camera on Tri-X film.
Bucket Week - Day Two
US Route 1.
This week in honor of the city of my residence and my daughter's home town, I will be featuring Pawtucket, Rhode Island, aka the 'Bucket'.
This picture was made in 1995. I had an idea to photograph Route 1 in Rhode Island from north to south. This is almost as far as I got. It did lead to other projects: the intersection set and a walk down RI route 2. This is a 4x5 camera image on HP-5 film.
Bucket Week - Day One
On the W.E. trail.
This week in honor of the city of my residence and my daughter's home town, I will be featuring Pawtucket, Rhode Island. Pawtucket will be kicking off it's campaign for the 2015 Pawtucket Arts Festival on Thursday. A worthy effort.
I made this image in 1993, not too long after I arrived in Rhode Island from upstate NY. I was working then exclusively with a 4x5 camera and I had just begun the work that became the Rhode Island Photographs project. This image is an homage of sorts to Walker Evans, and it is fair to say that almost everything I was doing then was an homage to Evans. Evans did a great series on war monuments during his time with the FSA. He was responding to photographs made of monuments during the Civil War, photographs he attributed to Mathew Brady, although we now know them to be made by others in Brady's employ. The Evans photographs inspired Lee Friedlander to make a series on monuments. I was thinking both of Friedlander and Evans when I made this.
Photos from a can
We replaced the regular camera in this photographer's bike bag with one made from a decaf coffee can. Let's see what happens:
The camera has my preferred 3 pinhole set up. I drill holes in the can and spray paint the inside flat black. I make pinholes in cinefoil which is just black aluminum foil, and then taped those in on the inside. Black tape for a shutter and all done. It's just that easy.
I use photo paper to make paper negatives. This time out I've been trying different ways to reduce contrast so i can get some better tonality in the images. Photo paper is made to be exposed to lamps in the 3200K range. This is multigrade paper and in normal printing you manipulate the contrast by exposing through colored filters, altering the color of light over a range from magenta to yellow. So I taped some yellow filtration behind the pinholes to cut down on the blue (high contrast) light reaching the paper. I had some success.
I also diluted the paper developer by half to slow the process down and give lighter tones a chance to develop, which is only fair.
These pictures were made mostly along my bike commute in various locations in Providence, RI. September 2014.